James Gross and Team Build Set for 'The Miser'  
 
With what appears to be the bulk of the framework up, large lights are now hanging on a rack center stage with other smaller lights dotting the mainstage and backstage alike. One young man is perched on top of a very tall ladder – taller than I would be comfortable climbing – with his head high enough in the rafters that all I see is his legs from behind the curtain when I walked in. He and James discuss the weight of the lights and where they will go – both in front of the set and behind – which I thought was odd – but what do I know. Up and down the ladder a handful of times, he moves the ladder to the other side and begins again.  
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