ART 123-CERAMICS
SYLLABUS AND COURSE OUTLINE
SPRING 2005-MONDAY AND WEDNESDAY 1:10 – 4:00
PROFESSOR CALISCH
This course is primarily a studio class. That means we spend the majority of our time involved in the creative process. In short, we make things. Making art and being conscientious art students, however, is not an isolated act. It requires that we stay connected to the world around us, the world that came before us, and the worlds that are hidden from us. We make art to stay connected to ourselves, and to communicate our discoveries to others. In order to augment creative production and discover how the creative process works we will also spend time learning techniques, watching demonstrations, reading, discussing, viewing slides, keeping journals, critiquing, and visiting the galleries.
OPEN STUDIO WORK SCHEDULE Mon.-Fri. 7:00 am - 5:00 pm (Fri. until 4:00 pm)
Sun.-Thurs. 7:00 pm-11:00 pm
Grade Distribution and Grading Policy:There are five projects, escalating in complexity, during the semester. Each builds on the project or projects that precedes it. Each is worth 15% of your final grade. There is a mid-term exam worth 15% of your final grade. There is a required Sketchbook/Journal to be used to record your creative process. This book (collected twice) and your participation in class critiques, discussion, and attendance make up 10% of your final grade.
Due to the nature of the Ceramic Process (clay drying time, firing schedules, glazing etc.), evaluation (grades) can only be determined at the midterm critique, and at the final critique. These deadlines are absolute, and while in-progress evaluation will go on routinely, actual grades can only be determined at those two specific times.
CALENDAR:
For the first half of the semester the class will split into two groups. One group will start with hand-building (assignment 1 a, b, c), while the other group will begin working on the potter’s wheel (assignment #2 a, b, c,). On February 7th, the groups will switch. Each group will have specific readings and demonstrations associated with the particular starting direction. The “hand-building” group will use the syllabus as printed. The “wheel” group will start on February 7th and return to the beginning of the syllabus when we switch techniques.
Wednesday, January 12 COURSE INTRODUCTION - Tour of Facilities, Safety Issues Instruction, Course Philosophy, Sketchbook/Journal, Grades, Vocabulary, Calendar, Readings and Special events.
SLIDE LECTURE
READING ASSIGNMENT--Due 1-17--Chapters 1,9,
Monday, January 17 Reading Due: Discussion--Chapters 1 & 9
INTRODUCTION TO ASSIGNMENT #1A
Title: Beginnings: Tiles and Texture, Pinch Control
Materials: Stoneware and Earthenware
Approach: Exploration and Experimentation
Purpose: This assignment is designed to acquaint students with the properties, principles, process and sophistication of clay.
LECTURE/DEMONSTRATION “Properties of Clay” Part 1
Wednesday, January 19 WORK DAY
READING ASSIGNMENT--Due 1-24--Chapters 10-11
Monday, January 24 WORK DAY
Reading Due today--Chapters 10 & 11
Wednesday, January 26 INTRODUCTION TO ASSIGNMENT #1B
Title: Beginnings: Slab and Coil Construction
Materials: White Earthenware
Approach: Using the Principles of Design
Purpose: This assignment is designed to incorporate design principles when creating a ceramic form
LECTURE/DEMONSTRATION “Properties of Clay” Part 2
READING ASSIGNMENT--Due 1-31--Chapter 8
Monday, January 31 WORK DAY
Reading Due Today--Chapter 8
Wednesday, February 2 WORK DAY
READING ASSIGNMENT--Due 2-9--Chapter 12 & 16
Monday, February 7 INTRODUCTION TO ASSIGNMENT #2
Title: “The Potter’s Wheel
Materials: Stoneware or earthenware
Approach: Throwing
Purpose: Begin to examine the relationship/difference between art and craft and the development of technique on the wheel.
LECTURE/DEMONSTRATION “Properties of Clay” Part 3
Wednesday, February 9 WORK DAY
Reading Due Today--Chapter 12 &16
Monday, February14 WORK DAY
Wednesday, February 16 WORK DAY –(Calisch Gone)
READING ASSIGNMENT--Due 2-21--Chapter 15
Monday, February 21 WORK DAY
Reading Due Today--Chapter 15
Wednesday, February 23 WORK DAY ***Last day to work with greenware***
GLAZING, Loading, and Firing
LECTURE/DEMONSTRATION “Glazing”
Monday, February 28 WORK DAY- GLAZING, Loading, and Firing (Calisch Gone)
Wednesday, March 2 WORK DAY- GLAZING, Loading, and Firing (Calisch Gone)
SPRING BREAK SPRING BREAK SPRING BREAK SPRING BREAK
Monday, March 14 MID-TERM CRITIQUE/EXAM
Sketch books/Journals due
READING ASSIGNMENT--Due 3-16—Chapters 13 &14
Wednesday, March 16 INTRODUCTION TO ASSIGNMENT #3 SLIDE LECTURE
Title: Sculpting the figure
Materials: White Earthenware
Approach: Modeling
Purpose: To explore a contemporary merger between
sculpture and ceramics. Clay continues to become a
means for expressing personal ideas.
Reading Due Today--Chapters 13 & 14
Monday, March 21 WORK DAY
Wednesday, March 23 WORK DAY
Monday, March 28 WORK DAY
Wednesday, March 30 WORK DAY
INTRODUCTION TO ASSIGNMENT #4
Title: “Primitive Firing Project”
Materials: Earthenware
Approach: Functional or ritual
Purpose: This assignment is designed to study the significance
(historical, functional, and/or spiritual) of ceramics within a
“primitive” culture.
VIDEO--MARIA MARTINEZ
READING/RESEARCH ASSIGNMENT--Due 4/4-- Chapters 2,3,4,5 (selectively)
Monday, April 4 WORK DAY
Reading and Research Due Today- Chapters 2,3,4,5 (selectively)
Wednesday, April 6 WORK DAY
Monday, April 11 WORK DAY
INTRODUCTION TO ASSIGNMENT #5
Title: “The Tea Pot”
Materials: Open
Approach: Open
Purpose: Putting it all together: Function, style, and content
Wednesday, April 13 WORK DAY
Monday, April 18 WORK DAY
MONDAY, APRIL 18 2000 Wabash Senior Art Majors’ Exhibition
Eric Dean Gallery Opening Reception 8:00-9:30 Monday, April 18,
Wednesday, April 20 WORK DAY
FRIDAY, APRIL 22 **Last day to work any greenware**
Monday, April 25 WORK DAY
Wednesday, April 27 Primitive Firing & Class Ritual
Tuesday, May 3, 1:30 FINAL CRITIQUE/EXAM 1:30 pm
Sketch books/Journals are Due